BY ADAM PERLMUTTER On a Wednesday evening a couple of years ago, Julian Lage sat onstage at the Hotel Cafe, a venue in Hollywood, with a 1939 Martin 000-18 on his lap. Lage was performing compositions from his solo guitar album World’s Fair, and it was exciting to witness this young virtuoso—with his expansive musical vocabulary and fecund imagination, his contrapuntal feats and his faultless technique—achieving an extreme range of expression from a modest old guitar. The audience, a hip-looking bunch, appeared riveted. After the show, Lage emerged in the venue’s lobby while a throng of well-wishers waited for their opportunity to interact with him—the sort of reception more commonly given to rock stars than jazz musicians. But it wasn’t exactly surprising, considering Lage’s ascendance as the thinking-person’s guitar hero. Lage was in the Bay Area last December to teach at the San Francisco Conservatory of Music, where he is on faculty, and I met him one morning for breakfast at a restaurant near the school. Tall and wiry, he was dressed smartly in a dark Patagonia sweater, olive-green chinos, and white retro Adidas sneakers. In person, he is disarmingly warm and pleasant and comes across as a total mensch. Lage...from News Page http://ift.tt/2ooh31O https://youbrandinc.com
No comments:
Post a Comment