“There is consonance and there is dissonance,” says Martino. “What gives them importance is motion,and motion has no sound.” Photo by R.R. Jones “It’s simply a toy.” That’s how Pat Martino describes the guitar. For many, he’s the father of modern jazz guitar whose pioneering approach has influenced generations of players. But to Martino, picking up his instrument is akin to making morning coffee. He views the guitar as a coffee pot, something that once you know how to use, you stop thinking about. “The guitar has become a significant member of the family,” says Martino from his Philadelphia home. “Whenever I need that experience I go back to it, and it fulfills me, and that’s all I’ve ever asked it to do.” This “toy” has led Martino, who recently turned 73, to become one of the most influential jazz guitarists in the world—twice. He released El Hombre, his debut album as a leader, in 1967. It solidified Martino’s reputation as a fleet-fingered bebopper who could find his voice within the bluesy soul of an organ trio. Leading up to this recording, he’d spent his 20s apprenticing with such B-3 heavyweights as Don Patterson, Jack McDuff, and the under-appreciated Trudy...from News Page http://ift.tt/2A83NRQ https://youbrandinc.com
No comments:
Post a Comment